Though fatigued, I thought it impolite to refuse dinner with Madame and Monsieur Maunoury. We dined for two hours. Towards the end of the meal, Clovis (this is Monsieur Maunoury’s aritist name) reached for a casette tape and to my surprise and delight, the heavy voice of Johnny Cash rolled out of the Sony player. If there was any question before, I knew at that moment that I liked Clovis. Monsieur Maunoury used to paint and is a musician, an actor, and a writer. When he was young, he sometimes played in the dungeon of the jazz bar Caveau des Oubliettes which Kyla and I happened to go to last night. I had le specialité Rhum Rhum avec canelle. The coral colored liquid was refreshing and sweet. The evening hours passed quickly in the stone room below the street while listening to the smooth and lively tunes of French jazz.
"There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were nor how it was changed nor with what difficulties nor with what ease it could be reached. It was worth it and we received a return for whatever we brought to it." Hemingway
26.8.11
My 25 and 27 inch bags were heavy for me. They were heavy too for the taxi driver who left me on the sidewalk of rue Saint Jacques. I ignored the curmudgeonly buildings crowding around to glare at my intrusion and entered the Maunoury's appartement building to make my weary way up the worn wooden steps to meet the host family. Then I remembered with distress that the French 3rd floor is the Americain 4th floor. When I reached the "third" floor, Madame Maunoury ushered me to my little room which a monk inhabited in the 17th century. That is why the wooden stairs are so smooth.
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